Under the Skin
An otherworldly woman preys on the men of Scotland, learning — slowly — what it means to inhabit a body.
An entire film's diegesis was caught on hidden microphones. The encounters are real, the locations are real, and the acoustic impossibility sits on top of that reality like a film over glass.
Traffic, wind, a voice through a van window.
Black liquid. Submerged heartbeat. Absolute compression.
Rain, wipers, the hum of a diesel engine.
Footfall on wet ground. Unfamiliar breathing.
The film is built from these components. Each stem below is a narrative thread — the work is in how they are woven, and where they are withheld.
Hidden lavaliers and long-range booms captured real Glaswegians at the moment of first encounter. The film's texture is documentary; the architecture beneath it is not.
- — Hidden capture
- — Dialogue forensics
- — Real-world tone
To inquire about an acoustic breakdown on your next production, or to request access to unreleased work, use the channels below.